Double Falsehood Scenic work

I based the texture for the floor very loosely on this spiral galaxy

The lanterns went from aluminium to rustic metal (each a different mix of bronze, gold, black and brown)
The floor had a umber base coat
Then a top coat of cream, sponged and light rollored, the tiles where marked and then painted up with emulsion. (with the assistance of my very talented friend & scenic artist Katie Penn)
The final coat saw a very dilute brown being worked in from the edges, and concentrated around the imperfections in the floor to bring up the character as cracks and breaks.
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